Brand & Commercial Films
Story-driven campaign films and product spots that make audiences feel something — and remember your name.
- Concept & creative direction
- Full production
- Social cutdowns
Filmmaker / Visual Storyteller
I'm Andrew — I direct, shoot, and edit films that move people. Based anywhere the story takes me.
I'm Andrew, a filmmaker focused on documentary, brand, and music video work. I believe the best stories are felt before they're understood — built frame by frame, beat by beat, until something true comes through.
Over the years I've worked across genres and formats, blending technical precision with a restless creative eye. Whether it's a quiet character study or a high-energy commercial spot, my approach stays the same: listen first, then build the world around the story.
From the first conversation to final delivery, I handle the craft end-to-end — or slot into your team wherever you need a strong creative eye behind the lens.
Story-driven campaign films and product spots that make audiences feel something — and remember your name.
Long- and short-form documentary work that earns trust and lets real stories breathe.
Bold, visually-driven music videos — from intimate performance pieces to high-concept narratives.
Available as a DP for hire, bringing a cinematic look and calm, prepared energy to your set.
Edit, sound design, and finishing that shape raw footage into a film with rhythm and weight.
Cinematic color that ties everything together and gives your project a signature, polished mood.
Every project moves through the same four stages — refined over dozens of shoots to keep things calm, collaborative, and on schedule.
We start with a conversation — your goals, audience, and the story worth telling. From there I build a treatment, mood board, and creative direction we're both excited about.
Scripting, storyboards, location scouting, casting, and scheduling — the groundwork that lets a shoot day run smoothly with nothing left to chance.
On-set direction and cinematography with a calm, prepared energy — keeping the crew focused, the talent comfortable, and the schedule on track.
Edit, color, sound design, and motion graphics — shaping raw footage into a finished film with rhythm and meaning, delivered in every format you need.
A feature documentary tracing the lives of fishing communities along a vanishing shoreline.
A cinematic campaign film for an outdoor apparel brand, shot across three mountain ranges.
A surreal, single-take music video exploring isolation through neon-drenched cityscapes.
An award-winning short film about a father and daughter navigating one final night together.
A high-energy commercial spot for a tech launch, blending practical effects with motion design.
A travel series episode following a journey through three countries in seven days.
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Andrew turned our brand brief into something that felt like a short film. The final cut exceeded everything we imagined — and it's still the best-performing video we've ever run.
Working with Russell Films was the easiest part of our launch. Calm on set, fast in the edit, and the final spot still gets compliments months later.
He listened first, then built something honest. "Echoes of the Coast" wouldn't exist without his patience — and the trust he earned from the people in it.
I'm available worldwide. Production happens wherever the story takes me, and post-production runs remotely with cloud-based review and approvals — so distance is rarely a blocker.
Brand and commercial work usually lands 2–4 weeks after the shoot, depending on complexity. Documentary and long-form projects are scoped individually — I'll give you a clear timeline before we start.
Both — scaled to the project. Documentary and intimate work often runs as a one-person crew for a lighter footprint; commercial shoots bring in a trusted network of camera, lighting, and sound specialists.
Every quote covers pre-production, the shoot itself, and post (edit, color, sound, and delivery in the formats you need). Travel and any specialty gear are itemized separately so there are no surprises.
Absolutely. I regularly join productions for a single role — DP, editor, colorist, or sound design — and slot into your existing workflow and team.
Send a note through the contact form with a few details about your project — timeline, budget range, and what you have in mind. I'll reply within a couple of days to set up a call.
Have a project in mind, or just want to say hello? I'd love to hear from you.